The Real Sequel to Lonesome Dove.
This is the real, Larry McMurtry written, sequel to Lonesome Dove (not Lonesome Dove II), and it has all of McMurtry's specialities: well-drawn characters, absolutely viscious and unredeemable villains & murderers, and complex protagonists with a hell of a tale to tell.
Tommy Lee Jones was the perfect physical embodiment of hard-bitten Texas Ranger Woodrow Call. A small man, ramrod straight with a ferocious temper and will of iron that made him SEEM like a bigger man. But TLJ didn't make this trip for whatever reason. Instead, we have James Garner taking over as Woodrow, and he IS a big man and inately likeable. No matter, Garner is too good an actor not to win you over, and we quickly adjust to him as an older, more tired, laconic, but still mean as hell Woodrow Call.
Peaeye is now Sam Shepard and Lorena is Sissy Spacek and she has passed by all her would-be suitors and married the taciturn Ranger, become a school teacher, and together they have 5 children. Peaeye is...
Call's "swan song".......
This TV movie was the last in the series. Call is older and near the end of his adventurous life...BUT...he still has one more big adventure before he "retires" for good. We see Call chasing a Mexican bandit that he knew previously and he meets up with some old acquaintances..both good and bad. We finally see the "human" side to Call and we understand him just a little bit better. Good action packed yarn and good acting. Well worth a look.
A solid, if downbeat chapter in the magnificent series
Granted,both the original Lonesome Dove novel and film were unique works of extremely fascinating classic story-telling. Streets of Laredo obviously has a great deal to live up to and, when viewed or read in conjunction with Dove it does suffer in the sense that our familiarity is slightly snubbed. Obviously this is something that cannot be helped so I must say that Streets of Laredo as a film stands firmly upon its own merits which are quite impressive.
Firstly, the cast is sublime. James Garner, always a vastly underrated actor creates a stoic, yet tragic Call.His final scene (don't worry I won't give it all away)is at once heart breaking and filled with a quiet hope. His performance is all about what film acting aspires: he moves mountains without words. The rest of the cast is on equal footing with Garner (who deserved at least something of an Emmy nod) Playwright Sam Shepard's Pea Eye, although losing much of Tim Scott's Bentonesque forlorn rube, is filled with...
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